Europe, International, My Concert Experience, Xin Saxophone Quartet

2018 Summer with my Xin Saxophone Quartet family

Xin saxophone quartet Amsterdam.jpg

We started our season rehearsing endlessly in Amsterdam, The Netherlands. After which we flew together to Zagreb, Croatia to perform at the triennial World Saxophone Congress. It is in its 18th edition and was held from the 10th of July to the 14th of July. Our program comprised of 4 pieces, all composed by Singaporean composers. Especially for the congress, we commissioned Sax-Drive! by Daniel Yiau and Transit Sketches II by Xin Saxophone Quartet’s resident composer, Jay Ong. The other two pieces were Homage by Dr. Zechariah Goh and The Serpent by Alexander Oon. What a privilege to present a Singaporean program at an international conference! I have never been more proud to be a Singaporean! #teamsingapore

“Xin saxophone quartet’s recital this afternoon was one of the best performances I have heard so far. They showed musical understanding in their playing. They were incredibly musical and well coordinated as an ensemble. They presented a wide range of tone colours and intricate details in articulations and dynamic contrasts. They were able to bring out different characteristics and styles of each Composer convincingly. We are very proud of you all for the wonderful performance and the wonderful composition!!” – Dr. Zechariah Goh

IMG-4887.JPG

10-12th August 2018, we now had the opportunity to present the same program for our locals at the annual Singapore Saxophone Symposium. It was held at the Nanyang Academy of Fine Arts, Singapore. Other international artists include Michael Duke (Australia), Kyle Horch (United Kingdom), Joseph Lallo (Australia), Chien-Kwan Lin (Singapore/United States), Alfonso Padilla (Spain), Mary Osborn (Australia), Kenny Tsai (Taiwan/United States) and Calvin Wong (Hong Kong/United States). We presented our own recital on the 11th August and also closed the entire symposium at the Gala Concert with our showstopping Sax-Drive!

CAB3F69B-C791-4FD5-BE3A-834EDB94E424.JPG

Can’t get enough of Xin Saxophone Quartet?
http://www.thebandpost.com/2018/07/xin-saxophone-quartet-represents-singapore-at-world-saxophone-congress/
http://zagrebsaxcongress.com/index.php/hr/sudionici/umjetnici/item/706-xin-saxophone-quartet
http://singaporesaxophonesymposium.com/2018/programme/recital-by-xin-saxophone-quartet/

Advertisements
Standard
International, My Concert Experience, Uncategorized

Melbourne Trip

Performance count: 3 in 3 days.

Started off with a performance at Up Your Alley Chamber Music Festival. It was a project presented by the Melbourne Philharmonia Project, spearheaded by the legendary Luke Carbon.

Picture of us (Credit: Luke Carbon). It was cold, windy and wet but still a great turn out of people! Xin Saxophone Duo (comprising of members: Alexis Seah and myself) played Steven Galante’s Sax Sounds III (Diminishing Returns).

The next day, we teamed up with saxophonists from Melbourne, Joseph Lallo and Emily Clarke for a concert at Melba Hall, Melbourne Conservatorium of Music. We performed Philippe Geiss’ Patchwork for saxophone quartet. (Photo Credit: Kevin Zhang)

img_4826

On the 3rd day, we took part in the final round of 3MBS’ The Talent. Here is the review of our performance https://thetalent3mbs.com/2016/10/26/reeds-and-strings-a-review-of-ep-3/ It was so nice to perform with the amazing Leigh Harrold again!

A photo by the publicity team at 3MBS: 

After, I had a chance to holiday a little bit in Victoria! It was a great trip! Thankyou Melbourne x

(Photo Credit: Joel Charles)

Standard
My Concert Experience

Paganini Lost and Found: The Origins and Impact of Caprice No. 24

Throwback to 14th of September, we were invited to perform as part of a lecture/recital at NAFA for The Philharmonic Orchestra’s concert, Lutosławski Tonight! This trio comprises of myself (saxophone), Alexis Seah (saxophone) and Jessica Leong (piano); we performed Jun Nagao’s Paganini Lost for two alto saxophones and piano. It was interesting listening to the discussion and the different arrangements and compositions inspired by Paganini’s 24th violin caprice.

Here’s the review of the event: http://pianofortephilia.blogspot.sg/2016/09/paganini-lost-and-found-lecture-recital.html

To end off, instead of Paganini’s 24th caprice here’s my performance of Paganini’s 1st Caprice (arr. Raaf Hekkema):

Standard