My Concert Experience

Xin Saxophone Duo in Concert

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Our Story: Xin Saxophone Duo, a subset of Xin Saxophone Quartet, was formed in 2016 by two leading professional saxophonists in Singapore. Xin Saxophone Duo had their debut on Singapore’s influential Mediacorp Channel 8 television program, Star Awards 2016. Notable performances includes performances at the 6th Singapore Saxophone Symposium and at a lecture-recital, at the Nanyang Academy of Fine Arts, entitled Paganini Lost and Found. As a duo, they have travelled to Thailand to take part in the Asia Pacific Saxophone Academy 2016. They hope to share their passion for chamber music by making it accessible to all.

Xin Saxophone Duo comprises of saxophonists Michellina Chan and Alexis Seah.

Our Concert:

28 July 2017 / 7:30pm / $10 /

Sinfonietta Hall, Forte Musicademy
51 Waterloo Street
#03-05
Singapore 187969

Program: Rossé, Morosco, Dubois, Mincek, Telemann, Galente and more

To reserve tickets at the door, CLICK HERE: https://goo.gl/forms/HmLgxULAmcPMalIV2 orr scan the QR code in our poster above!

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Europe, International, My Concert Experience

Performances in Bordeaux, France

It is my 5th month living in Bordeaux and it has been an amazing time. I have a weekly incredible lesson with my teacher, Marie-Bernadette Charrier. Also a weekly sonate lesson with our amazing accompanist Hilomi Sakaguchi with Marie-Bernadette. For my weekly classical chamber music class, I play with a pretty international saxophone quartet with two French, one Argentinian and me (Singaporean). We have been working on Florent Schmitt’s Quatuor de saxophones, op. 102. As for the contemporary chamber music class, I play with a mixed ensemble of two violins, clarinet, flute and soprano saxophone, we’re preparing a Bulgarian piece for the end of year exam. Together with the Orchestre d’Harmonie (Wind Symphony), we presented an interesting program: orchestre d harmonie bordeaux
I also had an opportunity to share Singaporean music with my class in a conference. I presented the music of Dr Zechariah Goh and had to speak about him in French!

Three weekends back we had two visiting guests, Allison Balcetis and Masanori Oishi. It was three intense days of masterclasses, conferences and performances. In the concert on the last night, our class presented french composer, Benjamin Attahir’s Nouvelle Sous Esctasy for 12 soprano saxophones, 1 soprano and 2 percussionists.

It has been interesting being in Bordeaux, I have picked up phrases of Spanish (owing to the fact that almost half my class are Spanish!) and of course my french is getting a lot better. It was a cold cold winter (-6 degrees) but now it is beautiful in spring! The food here is incredible, good red wine, cheese and bread. I am sure that the friends I have made here will be friends for life. I am so fortunate to have this experience!

 

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My Concert Experience

Back to Basics

IMG_3212.JPGXin Saxophone Quartet’s inaugural recital, entitled Back to Basics, was held at Forte Musicademy’s Sinfornietta Recital Hall. Each of us presented a solo piece in the first half of our recital. The second half featured the entire quartet playing pieces such as Georges Bizet’s Carmen Fantasy, Jean Rivier’s Grave et Presto and Jean-Baptiste Singelee’s Grand Quatuor Concertant. We also performed the World Premiere of new work by Singaporean composer, Jay Ong, entitled Enclosures. Here:

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International, My Concert Experience, Uncategorized

Melbourne Trip

Performance count: 3 in 3 days.

Started off with a performance at Up Your Alley Chamber Music Festival. It was a project presented by the Melbourne Philharmonia Project, spearheaded by the legendary Luke Carbon.

Picture of us (Credit: Luke Carbon). It was cold, windy and wet but still a great turn out of people! Xin Saxophone Duo (comprising of members: Alexis Seah and myself) played Steven Galante’s Sax Sounds III (Diminishing Returns).

The next day, we teamed up with saxophonists from Melbourne, Joseph Lallo and Emily Clarke for a concert at Melba Hall, Melbourne Conservatorium of Music. We performed Philippe Geiss’ Patchwork for saxophone quartet. (Photo Credit: Kevin Zhang)

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On the 3rd day, we took part in the final round of 3MBS’ The Talent. Here is the review of our performance https://thetalent3mbs.com/2016/10/26/reeds-and-strings-a-review-of-ep-3/ It was so nice to perform with the amazing Leigh Harrold again!

A photo by the publicity team at 3MBS: 

After, I had a chance to holiday a little bit in Victoria! It was a great trip! Thankyou Melbourne x

(Photo Credit: Joel Charles)

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My Concert Experience

Paganini Lost and Found: The Origins and Impact of Caprice No. 24

Throwback to 14th of September, we were invited to perform as part of a lecture/recital at NAFA for The Philharmonic Orchestra’s concert, Lutosławski Tonight! This trio comprises of myself (saxophone), Alexis Seah (saxophone) and Jessica Leong (piano); we performed Jun Nagao’s Paganini Lost for two alto saxophones and piano. It was interesting listening to the discussion and the different arrangements and compositions inspired by Paganini’s 24th violin caprice.

Here’s the review of the event: http://pianofortephilia.blogspot.sg/2016/09/paganini-lost-and-found-lecture-recital.html

To end off, instead of Paganini’s 24th caprice here’s my performance of Paganini’s 1st Caprice (arr. Raaf Hekkema):

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International

Asia Pacific Saxophone Academy 2016

Made friends from all over the world including Faroe Islands, Thailand, China, Hong Kong, Macau, Belgium, South Korea, Japan.. etc. The academy was set at the College of Music, Bansomdejchaopraya Rajabhat University, Bangkok, Thailand. It started on the 31st July 2016 to the 4th August 2016. During the 5 days, we had private/chamber lessons, lectures, master classes, and ensembles. Everyday our ears were treated to a recital by different ensemble groups. I learnt invaluable lessons from my teachers, Joshua Hyde (Australia), Stephen Page (USA), Pieter Pellens (Belgium) and Zhang Ding (China); I also gained insights into a musician’s life from talking to the rest of the faculty there.

This trip would not have been possible without the National Arts Council (Singapore) and the Asia Pacific Saxophone Academy sponsors. A big thankyou to NAC, Singapore for the grant and also to the APSA Faculty for the scholarship. Thankyou also to Leslie Wong (Singapore) and Wong Tak Chiu (Hong Kong) for the planning and excellent execution of the academy.

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